Akron postcard on the cusp of July

FullSizeRender (8)There’s something exhilarating about being on the cusp, and right now I’m excited for the arrival of July. The baton-pass from June to July mirrors the passing of Akron Poetry Prize manuscripts to the judge after months of reading and deliberation.

For a moment today I thought about how I’ve read close to 600 poetry manuscripts in the past two months, and by the end of the weekend it will be a full 606. I love this part of the year, but at times I feel like there are almost toxic levels of poetry in my bloodstream.

I hope to convert this energy into poems of my own. Onward into the rest of the summer. Or at least onward into July.

I’ve got the baton firmly in hand.

A record year for Akron Poetry Prize submissions

What will I be doing for the next two weeks? Reading a grand total of 606 poetry manuscripts for the Akron Poetry Prize competition. This is a record-breaking year for our contest, and we are so excited by the robust response to our call for submissions.

Once the finalists and semifinalists are sent to final judge Oliver de la Paz, I’ll hopefully be back to writing my own poems again. I’m planning to write a poem on each of the even days of July.

Huge thanks to Noor Hindi of Nervous Poodle Poetry for being my second set of eyes on the poetry submissions, and to Oliver de la Paz for judging this year’s contest.

FullSizeRender (7)

 

Post Card from Penn State Erie Reading

Many thanks to the faculty and students of Penn State Erie for hosting me last night as part of their visiting writers’ series, which is is produced by Penn State Behrend’s BFA in creative writing program with support from the Clarence A. and Eugenie Baumann Smith Fund.

For my past few readings on the Small Enterprise tour I’ve been bringing all of my books, and reading a couple of poems from each. By now, almost every page has some kind of note stuck to it, but it’s a system, right?

Here’s a photo from my mic check. Thanks so much, Penn State Erie!

IMG_5283

New poem (and audio!) at Glass: A Journal of Poetry

IMG_5158National Poetry Month is upon us! I’m already feeling completely behind, but I reckon I feel that way every April. I’m excited to share the link to my new poem “Bone Concept,” which is featured over at Glass: A Journal of Poetry. Many thanks to Glass for giving this poem a home with such excellent company.

Lots of friends are doing a poem a day for National Poetry Month, but that’s just not feasible for me at this time of the semester. So I’m going to aspire to write on the even numbered days in April. Wish me luck, and best wishes to all the poets out there doing NaPoWriMo.

 

Reading recap (#poetrylives)

IMG_5099As much as anyone might plan for a poetry reading, you can never fully anticipate the crowd, or the mood, and wow did we luck out for our Rethinking Gender event, as it was an absolute delight in every way. The room was full of friends, current and former students, future friends, future students, colleagues, and some students who were probably required to be there but (hopefully) had fun nonetheless.

It was such a thrill reading with Holly. We’d never read together before (people thought we had!) but co-taught an amazing poetry workshop for a semester, so maybe that’s how we got our synergy. At any rate, we left ourselves plenty of room to choose poems on the fly for our braided reading, and it worked out quite well. Holly shared a bunch of poems from her NEOMFA thesis, and I read poems from my three most recent books. We could have read for two hours, not one.

Many thanks to everyone who attended (not an empty seat, some standing!), and if you weren’t able to make it you can hear Holly Brown read at the next Big Big Mess. Poetry lives, folks. It really does.

In Print Festival at Ball State University

17359336_1437557536543876_8444247201113019778_o

What a pleasure to participate in a publishing panel at Ball State University with Sequoia Nagamatsu, Dan Raeburn, and Iliana Rocha. Thanks to Ball State Creative Writing for  capturing us in action with this photo. It was great to bring a bit of Akron (including some #poetrylives buttons) to Indiana, and to talk about my experiences as a poet and editor.

Next week: the In Print Festival at Ball State University.

Ball State pic

Many thanks to the organizers of the In Print Festival of First Books at Ball State University for inviting me to come speak about my experiences as a poet and as the editor of the Akron Series in Poetry. From their website:

In Print XII (2017) will feature poet Iliana Rocha, fiction writer Sequoia Nagamatsu, and creative nonfiction writer Dan Raeburn. Rocha, Nagamatsu, and Raeburn will read from their work on Wednesday, March 15 at 8 PM in AJ 175. They will be joined by publisher/poet Mary Biddinger for a panel discussion about the publication industry on Thursday, March 16 at 8 PM in AJ 175.

inprint-xii

AWP 2017 Dance Card

img_4846

#poetrylives

Dear friends, I hope to see you at AWP this week! Here’s where you’ll be able to find me.

Book signing at the Black Lawrence Press booth (393) on Friday, February 10, 2017, 10:00-11:00 a.m. Come say hello and get a signed copy of The Czar, or Small Enterprise, or both.

Exhibiting at the University of Akron Press table (T-620) where we’ll have our newest Poetry Lives button + a slew of gorgeous books.

Don’t Stop the Presses: On the Enduring Value of the University Press: featuring Rebecca Hazelton, Claire Kirch, Ned Stuckey-French, Mary Biddinger, and Peter Berkery. Thursday, February 9, 2017 12:00-1:15 p.m.

Stars to Steer By: Rethinking Creative Writing Curriculum for the 21st Century: featuring Cathy Day, Porter Shreve, Mary Biddinger, and Terry L. Kennedy. Friday, February 10, 2017 4:30-5:45 p.m.

Safe and happy travels to all!

mary biddinger

Three new poems at SMOKING GLUE GUN. Thanks for taking a look!

smoking glue gun

marybiddinger1marybiddinger2marybiddinger3MARY BIDDINGER is the author of five full-length collections of poetry, most recently Small Enterprise (Black Lawrence Press, 2015) and The Czar (with Jay Robinson, Black Lawrence Press, 2016). Her work has appeared in Denver Quarterly, Five Points, Green Mountains Review, jubilat, The Laurel Review, and Pleiades, among others. She is the recipient of a 2015 National Endowment for the Arts creative writing fellowship in poetry, and is currently working on a book-length volume of prose poems. Find her work online in Blackbird, Ampersand Review, Toad, & Thrush.

View original post